About Us

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OUR STORY

Afropian is a Panafrican brand focusing on Ethiopia as it connects to the rest of Africa. It is 100% Made in Africa! As a Cameroonian who calls beautiful Ethiopia home, I wanted to bring what I have gleaned from my many travels on the continent to my second home. I also wanted to share “my” Ethiopia with the rest of the continent in an innovative way: through blending the striking, centennial Habesha art with the same from the rest of the continent. I wish to be that bridge and to fuse Ethiopia with other African countries.

Afropian is also a personal take on African luxury. We build on luxurious, traditionally handcrafted textiles and other art from Ethiopia and the rest of the continent. In these days of African Renaissance, isn’t it time to focus on what has always made Africa great?
For so long, we have heard a “single story” of Africa. The danger of the single story is in letting others tell our story. I, personally, never recognize the Africa I know in the way the media portrays us. Afropian aims to contribute, however modestly, to changing the narrative around Africa by showcasing African excellence. We are rich beyond words! Let´s claim it!

Hortense Mbea,
Founder and Creative Director

Meet Our Artisans

CLEMENT, Master bronze smith

Abidjan, Ivory Coast

During my recent three-year stay in Abidjan, I was fortunate to discover some incredible brass art. From sculptures to pendants, you name it, they make it! Most of Afropian’s brass elements were made by Clement in his workshop by the river in Yopougon. He and his colleagues use the “lost wax” technique where the piece is first carved into wax, then cast into mud. Molten brass is then poured into the cast, left to solidify for a few minutes, and then the cast is broken to reveal the piece. It is subsequently polished and can be gold plated or chromed, or left as is for a beautiful antique look. These pieces blend very well with Ethiopian brass or even silver. Clement, as is tradition, was trained by his father, who was trained by his own father. The work of  brass jewelry-making is reserved to men in Ivory Coast. The reason being that it is quite a lucrative business and, according to popular belief, when women start making so much money, they tend to become arrogant and neglect their duties (!). These patriarchal views are very entrenched and hard to change.

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Our Bogolan ladies

Afropian works with a women’s cooperative in Mali that supplies us with Bogolan. These ladies perform every step, from spinning cotton into thread, to weaving it and then dyeing it naturally with clays and herbs. This impressive group of ladies has been supported by a certain number of international organizations and NGOs with training and they are now totally self-sufficient. To the point where they have built a small school in their town and now plan on building a small health center.

Bogolan (“made from the earth”), also known as Bogolanfini or mudcloth, is a painted cotton cloth typical of Mali. Its designs tell a story using age-old symbols. Bogolan was used to mark specific times of a woman or a man´s life. It is quite similar to gabi in texture, therefore, of course, Afropian blended the two!

Our Gabi ladies

In Addis Ababa, we work with a group of female Gabi weavers. Gabi weaving is traditionally the job of men, while women spin cotton into yarn, but this wonderful group of women who make our gabi are a little different. They used to be “donkey women”, meaning they would carry heavy loads of wood on their backs from the mountains of Entoto to the city markets in Addis. After training provided by an NGO, they now spin their yarn, dye it and weave it into the beautiful, warm cotton cloth known as Gabi. All 15 of them support their families and most head a single-parent household. It is actually quite a sight to see their toddlers playing around, crawling or learning how to walk at the workshop while the mothers work away.
Gabi makes up half of Afropian’s Gabitiks, our very popular blankets.

Our Gabi ladies
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Mamadou, the Batik virtuoso

Mamadou, from Ivory Coast, makes our batiks. He uses a traditional technique, whereby he carves his designs into wooden stamps, then uses liquid wax and dye to imprint cotton. He is inspired by what surrounds him: nature, people and his culture. He was trained by his father as a teenager, but, having no children of his own, laments the fact that he cannot find an apprentice to pass on his knowledge.

Our youth Bogolan entrepreneurs

Afropian believes in helping the two most economically challenged groups in Africa: women and youths. We source our Bogolan from a group of women in Mali but also from a cooperative of young men and women who produce certified organic Bogolan. They have been trained by Helvetas (Swiss cooperation) on how to produce their goods, market them and manage their cooperative. We were very impressed with their energy and vision, and the fact that they are tapping into a somewhat unexplored niche in Africa, that of organic textiles.

Our bronze smiths in Addis Ababa

They use the same method as their colleagues in Abidjan, to produce the iconic Ethiopian cross. The method is the lost-wax method, whereby molten brass is poured into a mold that has been created based on a wax model. Once the mold is made, the wax model is melted and drained away. And out comes the iconic Ethiopian cross.

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